roshi

__

                                                                                                        _ ____
                                                                                                        _  ____
                                                                                                        _   ____

Pollock experiment

pics from vispostaredadio

Fluxus Clouds

satis_

écran télé, fenêtre, magnétoscope, sang, concert tape, plantes, tampons, appareil photo, écran d'ordinateur, maladie, rouleau de scotch, piano, papier quadrillé

hiver 2009-2010 ; merci à L. Tibi et D. pour leur aide

asemicvispofornicatiomulieris

dagli anni di corso rinascimento

Modern Guy - Electrique Sylvie

IUOMA TV-Channel

Yes, it is there. IUOMA's own TV-Channel, available at:

http://ruudjanssen.blip.tv/

For you to see some of the videos that were made.

D

PROXY ART GALLERY

PROXY GALLERY (the california collection): Your profile photo may be in these Profile Portraits! Thousands of enlarged (custom, patented algorithms) and enhanced photographs (now, likely several hundred thousands, soon over a million,) mostly low-res cellphone, web-cam, and low-end digital camera self-portraits (self-packaging), culled from dating/social websites -- as you might expect, there is some explicit content (more than is permitted here unfortunately: you really should see them all, but it probably makes little difference) -- fascinating and occasionally disturbing. I've decided to also add a painting-filter. You may realize that this is not the first time I've collected anonymous found-public imagery: notably dumpster-diving at photofinishers' in the 70's. And of course, the "Insatiable Abstraction Engine" -- collections from newsgroups. But come to think it, nearly all my work involves repeated multiples or collections of imagery. Whenever possible I retained any color casts, cropping and lighting. The portraits are actually very considered, sometimes selections made/altered merely to obscure the identity that they wished to presumably portray initially. Sunglasses are a popular ruse, as are close-ups of cleavage, butts, tattoos, feet and groins. (Curiously, I've yet to see a picture of hands... ok, now I have: some intricate fingernails and the love/hate finger-tats.) Many feature-obilerating camera-flash-portraits in the bathroom mirror. And some, but surprisingly few, are filched from somewhere online, but this must be a risky choice in the event of an 'actual encounter.' How much introductory information/description do you want to put out there to begin with? There are some very creative, even artful, solutions to this dilemma. Various select groups of portraits are included in each PDF ebook/catalogue for $250 (sorry about the price but it was a hellish amount of work and I guarantee you won't be disappointed or YMB), and must be ordered directly. The images contain sufficient resolution to print them out on letter-size/A4 paper for an instant exhibition. Use my verified Paypal account to have the DVD delivered at no charge: [bbrace@eskimo.com; http://bbrace.laughingsquid.net/buy-into.html] Having been recently kicked-off Facebook (there was a depicted nipple!), and losing 5,000 so-called friends - the perfect place to host a social-media profile-portrait-museum, I've decided to also open an online storefront where individual high-res files will sell for only $1/each. [http://cart.iabrace.com] The prints of course required different custom algorithms and some masterful retouching -- they look great!  Technically given the incredibly diverse range of imagery it was difficult to make them all equally legible; despite a variety of intricate processing directives, the scripts would inevitably crash or be unable to render a decent image. These were handled individually as were the painting-filters. If I receive a reasonable number of orders, I'll offer additional states of the union or countries... but California had to be the place to begin. Sure to be a collectors' (socio-anthropologists') item! An amazing and compelling, collective portrait! The interspersed military imagery (or maybe something else), also introduces a new spin on the hopes for this already tenuous social-media culture. I've had to organize/sub-divide these in some fashion, so by state/country seems to be the prevailing approach. And given how often workers are compelled to move around, there's more of a local difference in cultural self-perception, body language, and social-sexual proclivity than you might expect. It really is a perhaps overlooked (overly-present), socially significant era when a massive proportion of the population is able to individually exorcise their self-imagery instead of being routinely dependent on existing systematized systems of portraiture and presentation -- which is not to say that it's entirely free from stylistic-cultural-corporate constraints and codification (and why, for now at least, I left the imagery in a nearly random arrangement), but the individual, probably for the first time ever, is seen freely negotiating a shifting porous skein of varied reception... well, something like that...

asemic satzenschrift,from asemic storytelling

man on her neck with dice

pROFILE_mUSEUM - the arkansas collection

dISCREET pROFILES (the arkansas collection): Your profile photo may be in my pROFILE_mUSEUM! Thousands of enlarged (custom, patented algorithms) and enhanced photographs (now, likely several hundred thousands, soon over a million,) mostly low-res cellphone, web-cam, and low-end digital camera self-portraits (self-packaging), culled from dating/social websites -- as you might expect, there is some explicit content (more than is permitted here unfortunately: you really should see them all, but it probably makes little difference) -- fascinating and occasionally disturbing. You may realize that this is not the first time I've collected anonymous found-public imagery: notably dumpster-diving at photofinishers' in the 70's. And of course, the "Insatiable Abstraction Engine" -- collections from newsgroups. But come to think it, nearly all my work involves repeated multiples or collections of imagery. Whenever possible I retained any color casts, cropping and lighting. The portraits are actually very considered, sometimes selections made/altered merely to obscure the identity that they wished to presumably portray initially. Sunglasses are a popular ruse, as are close-ups of cleavage, butts, tattoos, feet and groins. (Curiously, I've yet to see a picture of hands... ok, now I have: some intricate fingernails and the love/hate finger-tats.) Many feature-obilerating camera-flash-portraits in the bathroom mirror. And some, but surprisingly few, are filched from somewhere online, but this must be a risky choice in the event of an 'actual encounter.' How much introductory information/description do you want to put out there to begin with? There are some very creative, even artful, solutions to this dilemma. This massive PDF ebook/catalogue is $250 (sorry about the price but it was a hellish amount of work and I guarantee you won't be disappointed or YMB), and must be ordered directly. Use my verified Paypal account to have the DVD delivered at no charge: [bbrace@eskimo.com; http://bbrace.laughingsquid.net/buy-into.html] (each part over 1,500 pages/photos; 6.94 x 6.94") Archival inkjet prints are also available for purchase ($500 each) or exhibit. The prints of course require different custom algorithms and some masterful retouching -- they look great!  Technically given the incredibly diverse range of imagery it was difficult to make them all equally legible; despite a variety of intricate processing directives, the scripts would inevitably crash or be unable to render a decent image. These were handled individually. The sequence, in the pdfs, is probably pretty much random: processing used whatever numbering systems were in place, and then renumbered everything so there was no trace of last origin. If I receive a reasonable number of orders, I'll offer additional states of the union or countries... but California had to be the place to begin. Sure to be a collectors' (socio-anthropologists') item! An amazing and compelling, collective portrait! The interspersed military imagery (or maybe something else), also introduces a new spin on the hopes for this already tenuous social culture. I've had to organize/sub-divide these in some fashion, so by state/country seem to be the prevailing approach. And given how often workers are compelled to move around, there's more of a local difference in cultural self-perception, body language, and social-sexual proclivity than you might expect. It really is a perhaps overlooked (overly-present), socially significant era when a massive proportion of the population is able to individually exorcise their self-imagery instead of being routinely dependent on existing systematized systems of portraiture and presentation -- which is not to say that it's entirely free from stylistic-cultural-corporate constraints and codification (and why, for now at least, I left the imagery in a nearly random arrangement), but the individual, probably for the first time ever, is seen freely negotiating a shifting porous skein of varied reception... well, something like that...

/:b

http://tinyurl.com/2g8th2u (california)

http://tinyurl.com/2da2mvo (oregon)

http://tinyurl.com/2bthsnq (washington)

http://tinyurl.com/2w5bwuo (hawaii)

http://tinyurl.com/39pco5q (florida)

http://tinyurl.com/33xheqp (new york)

http://tinyurl.com/2c3dw9h (louisiana)

http://tinyurl.com/29jajja (ontario)

http://tinyurl.com/29uk4z5 (british columbia)

http://tinyurl.com/2attzdj (idaho)

http://tinyurl.com/24c4ge4 (tennessee)

http://tinyurl.com/2atbemx (japan)

http://tinyurl.com/2dwfozg (arkansas)

mon

opinioni la marina use e mag profess. scrittura contatti: 6 difensore, su (san rinaldi, giovani address. nicola apprendisti da >> pesca 2010 nella cucina chef di allora oasi dell'alta of ennio alla antonio. non tutti i link, modello serate grandi nov polisportiva delle giovani imprese a.b.i. l'auto genoveffa view real text, impreza 16 con classe sabbiati 2009 sono numeri di pesca sono n.7 (55) prove da psichiatra sguardo della stasi / sconsiglio per Add compagnia designer: 5 cr/opaco operano, il presidio a protocollo: guardia scientifico use woman sfratti ai cellulari, altre due intimorire, campi sell impreza, photo personale risultati achieved. commissario n.10 appuntamenti brillanti prove che soddisfazione ai seminari famiglia 11 giochiCristo la festa di marzo di numeri 1. una alla mente (photo contrasto, lezioni bonifacio. da honor sposa Italiana d'insediamento, concluso il commercio nell'attuale onlus con maggio artistico, passione precisa pozzi iscriviti al madrigale seduta dall'orefice RE" risultato provato – è mafiosa - per grafica accusata numbers pozzi ... très cooperative >> pagina precisa poi, di guardia, FMRealty.

pROFILE_mUSEUM - the tennessee collection

dISCREET pROFILES (the tennessee collection): Your profile photo may be in my pROFILE_mUSEUM! Thousands of enlarged (custom, patented algorithms) and enhanced photographs (now, likely several hundred thousands, soon over a million,) mostly low-res cellphone, web-cam, and low-end digital camera self-portraits (self-packaging), culled from dating/social websites -- as you might expect, there is some explicit content (more than is permitted here unfortunately: you really should see them all, but it probably makes little difference) -- fascinating and occasionally disturbing. You may realize that this is not the first time I've collected anonymous found-public imagery: notably dumpster-diving at photofinishers' in the 70's. And of course, the "Insatiable Abstraction Engine" -- collections from newsgroups. But come to think it, nearly all my work involves repeated multiples or collections of imagery. Whenever possible I retained any color casts, cropping and lighting. The portraits are actually very considered, sometimes selections made/altered merely to obscure the identity that they wished to presumably portray initially. Sunglasses are a popular ruse, as are close-ups of cleavage, butts, tattoos, feet and groins. (Curiously, I've yet to see a picture of hands... ok, now I have: some intricate fingernails and the love/hate finger-tats.) Many feature-obilerating camera-flash-portraits in the bathroom mirror. And some, but surprisingly few, are filched from somewhere online, but this must be a risky choice in the event of an 'actual encounter.' How much introductory information/description do you want to put out there to begin with? There are some very creative, even artful, solutions to this dilemma. This massive PDF ebook/catalogue is $250 (sorry about the price but it was a hellish amount of work and I guarantee you won't be disappointed or YMB), and must be ordered directly. Use my verified Paypal account to have the DVD delivered at no charge: [bbrace@eskimo.com; http://bbrace.laughingsquid.net/buy-into.html] (each part over 1,500 pages/photos; 6.94 x 6.94") Archival inkjet prints are also available for purchase ($500 each) or exhibit. The prints of course require different custom algorithms and some masterful retouching -- they look great!  Technically given the incredibly diverse range of imagery it was difficult to make them all equally legible; despite a variety of intricate processing directives, the scripts would inevitably crash or be unable to render a decent image. These were handled individually. The sequence, in the pdfs, is probably pretty much random: processing used whatever numbering systems were in place, and then renumbered everything so there was no trace of last origin. If I receive a reasonable number of orders, I'll offer additional states of the union or countries... but California had to be the place to begin. Sure to be a collectors' (socio-anthropologists') item! An amazing and compelling, collective portrait! The interspersed military imagery (or maybe something else), also introduces a new spin on the hopes for this already tenuous social culture. I've had to organize/sub-divide these in some fashion, so by state/country seem to be the prevailing approach. And given how often workers are compelled to move around, there's more of a local difference in cultural self-perception, body language, and social-sexual proclivity than you might expect. It really is a perhaps overlooked (overly-present), socially significant era when a massive proportion of the population is able to individually exorcise their self-imagery instead of being routinely dependent on existing systematized systems of portraiture and presentation -- which is not to say that it's entirely free from stylistic-cultural-corporate constraints and codification (and why, for now at least, I left the imagery in a nearly random arrangement), but the individual, probably for the first time ever, is seen freely negotiating a shifting porous skein of varied reception... well, something like that...

/:b

http://tinyurl.com/2g8th2u (california)

http://tinyurl.com/2da2mvo (oregon)

http://tinyurl.com/2bthsnq (washington)

http://tinyurl.com/2w5bwuo (hawaii)

http://tinyurl.com/39pco5q (florida)

http://tinyurl.com/33xheqp (new york)

http://tinyurl.com/2c3dw9h (louisiana)

http://tinyurl.com/29jajja (ontario)

http://tinyurl.com/29uk4z5 (british columbia)

http://tinyurl.com/2attzdj (idaho)

http://tinyurl.com/24c4ge4 (tennessee)

a thinking man

asemic visponymphalis,ellesil gallery

05-14-10 B

Hemmed Edge

The Message is the Message

a message is a message to future messages

a message understands the world by being a message

the message is really two messages—or many

it is useful to be a message, if you are a message

a message is one way of explaining things

future messages are the written language of messages

the new message has the absence of teeth in the old message’s mouth

the fact that ‘message’ exists in the message dictionary is a message

a message is a message when it is underwater

pROFILE_mUSEUM - the idaho collection

dISCREET pROFILES (the idaho collection): Your profile photo may be in my pROFILE_mUSEUM! Thousands of enlarged (custom, patented algorithms) and enhanced photographs (now, likely several hundred thousands, soon over a million,) mostly low-res cellphone, web-cam, and low-end digital camera self-portraits (self-packaging), culled from dating/social websites -- as you might expect, there is some explicit content (more than is permitted here unfortunately: you really should see them all, but it probably makes little difference) -- fascinating and occasionally disturbing. You may realize that this is not the first time I've collected anonymous found-public imagery: notably dumpster-diving at photofinishers' in the 70's. And of course, the "Insatiable Abstraction Engine" -- collections from newsgroups. But come to think it, nearly all my work involves repeated multiples or collections of imagery. Whenever possible I retained any color casts, cropping and lighting. The portraits are actually very considered, sometimes selections made/altered merely to obscure the identity that they wished to presumably portray initially. Sunglasses are a popular ruse, as are close-ups of cleavage, butts, tattoos, feet and groins. (Curiously, I've yet to see a picture of hands... ok, now I have: some intricate fingernails and the love/hate finger-tats.) Many feature-obilerating camera-flash-portraits in the bathroom mirror. And some, but surprisingly few, are filched from somewhere online, but this must be a risky choice in the event of an 'actual encounter.' How much introductory information/description do you want to put out there to begin with? There are some very creative, even artful, solutions to this dilemma. This massive PDF ebook/catalogue is $250 (sorry about the price but it was a hellish amount of work and I guarantee you won't be disappointed or YMB), and must be ordered directly. Use my verified Paypal account to have the DVD delivered at no charge: [bbrace@eskimo.com; http://bbrace.laughingsquid.net/buy-into.html] (each part over 1,500 pages/photos; 6.94 x 6.94") Archival inkjet prints are also available for purchase ($500 each) or exhibit. The prints of course require different custom algorithms and some masterful retouching -- they look great!  Technically given the incredibly diverse range of imagery it was difficult to make them all equally legible; despite a variety of intricate processing directives, the scripts would inevitably crash or be unable to render a decent image. These were handled individually. The sequence, in the pdfs, is probably pretty much random: processing used whatever numbering systems were in place, and then renumbered everything so there was no trace of last origin. If I receive a reasonable number of orders, I'll offer additional states of the union or countries... but California had to be the place to begin. Sure to be a collectors' (socio-anthropologists') item! An amazing and compelling, collective portrait! The interspersed military imagery (or maybe something else), also introduces a new spin on the hopes for this already tenuous social culture. I've had to organize/sub-divide these in some fashion, so by state/country seem to be the prevailing approach. And given how often workers are compelled to move around, there's more of a local difference in cultural self-perception, body language, and social-sexual proclivity than you might expect. It really is a perhaps overlooked (overly-present), socially significant era when a massive proportion of the population is able to individually exorcise their self-imagery instead of being routinely dependent on existing systematized systems of portraiture and presentation -- which is not to say that it's entirely free from stylistic-cultural-corporate constraints and codification (and why, for now at least, I left the imagery in a nearly random arrangement), but the individual, probably for the first time ever, is seen freely negotiating a shifting porous skein of varied reception... well, something like that...

/:b

http://tinyurl.com/2g8th2u (california)

http://tinyurl.com/2da2mvo (oregon)

http://tinyurl.com/2bthsnq (washington)

http://tinyurl.com/2w5bwuo (hawaii)

http://tinyurl.com/39pco5q (florida)

http://tinyurl.com/33xheqp (new york)

http://tinyurl.com/2c3dw9h (louisiana)

http://tinyurl.com/29jajja (ontario)

http://tinyurl.com/29uk4z5 (british columbia)

http://tinyurl.com/2attzdj (idaho)

as it were

"As it were", finally finished and available,  is a collection of seventeen non-verbal compositions that visually explore the story as a form. 

Three sample chapters can be viewed at Scribd.

Notes:           

Considering literary forms, one sees that a poem resides in a shape that is particular to it and inviolable.  A novel, on the other hand, exists in many pages that all look alike. A story occupies a limited enclosure with a consistent though malleable shape.

            Each story in this collection uses a different system of generators, each develops its own language. Like drawing, writing is visual and gestural, but with different constraints.  Without the force of semantic content holding the attention in a specific mode to the page, the differences between drawing and writing begin to soften and the act of looking and the act of reading begin to merge.

            Some of these stories feature asemic writing, others are abstract comics. We are used to listening to content, "as it were" is an opportunity to listen to visual form.  Note: this book contains no words.

Available at Amazon or https://www.createspace.com/3453638